Fort Worth Museum hosts an exhibit of Indigenous photographs of the watershed

In what they call a “rotating” exhibit, Amon Carter of American Art of Fort Worth is planning the first major museum investigation of contemporary Indigenous photographers. “Speaking with Light: Contemporary Indigenous Photography” will highlight the works of over 30 Indigenous artists and explore “the dynamic ways in which (they) have leveraged their goals over the past three decades to reclaim representation and affirm their existence, perspectives and trauma,” says a statement.

It will be on display from October 30, 2022 to January 22, 2023.

The multimedia exhibition – co-organized by the main curator of the museum’s photographs, Jean Rohrbach, with the artist Will wilson, Citizen of the Navajo Nation and Director of the Photography Program at Santa Fe Community College – will present prints of Hulleah Tsinhnahjinnie, Wendy red star, and Nicolas galanin; and facilities adapted to the site in Kapulani Landgraf and Jolene rickard. Other artists featured include Jeremy Dennis, Hopinka Sky, Dylan mclaughlin, Cara Romero, Shelley niro, Tom jones, and Zig Jackson.

The Carter commissioned a new large-scale photo weaving by Sarah Sens for the exhibition.

Assembled together, according to the museum, these photographs, videos, three-dimensional works and digital activations “forge a mosaic investigation into identity, resistance and belonging”. It’s also part of a mission the museum has undertaken to amplify the contributions of Indigenous artists to the history of photography and American visual identity, they say.

Continuing our mission to initiate critical conversations with American art history, The Carter is proud to present this landmark exhibition as a testament to the dedication, thoroughness and empathy of the artists, members of the community and academics who brought it to life, ”says CEO Andrew J. Walker in the output.

The exhibition of nearly 100 works will be presented in three thematic sections that examine the role of the camera in “scar formation and shared empowerment,” they say. It will conclude, they add, by drawing attention to the global reach of Indigenous visual expression with a hands-on presentation of the Indigenous Photograph online database.

“‘Speaking with Light’ is a symbol of the vitality of contemporary Indigenous photography,” says Rohrbach, “recognizing the diversity of Indigenous artists who face American history with keenness and passion.”

For more information on the upcoming exhibit, visit Carter’s website.

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