Watch the video: Home Photography Ideas – Take a Stunning Sports Selfie
The current state of self-isolation makes it difficult to indulge in two of our favorite hobbies: photography and sports. Luckily, you can scratch both itches with this creative photo project – it’s a great reason to get your light kit out, a great way to practice your Photoshop skills, and a great excuse to dust off your golf clubs!
Here, we’ll show you how to take and combine a series of images into a striking composite shot, worthy of an iconic sports magazine cover. The goal here isn’t necessarily to make it ultra-realistic, however; we’ll take a more fantastic approach and improve the image with a few effects and a lightning bolt or two. After all, if you’re lucky enough to pose as a sports god, why would you hold back the lightning?
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Some might think that an image like this is all about Photoshop skills, but that’s just the last nine – the shooting step is just as important. Composites are much easier to assemble if the lighting and camera angle are kept fairly consistent, so we’ll start by explaining how to capture a set of images for a composite, before looking at the editing tips you can take. will have to pull it off.
Along the way, we’ll explore key skills like using flashes, cutting and combining images in Photoshop with selections and masks, and how to add special effects like lightning and rain. !
Outdoor lighting with flashes
Remember that Photoshop can make it easy to combine images, but it can’t work wonders. When shooting for a composite, consistency is key. Light things from the same angle, try to maintain a constant depth of field in images using the same aperture everywhere, and set the focus point a similar distance from the camera each time.
01 Flashes and triggers
With two strobes we can do a simple cross light setup. You don’t need expensive flashes for this, as they just need to have manual control and an optical slave, and even the cheapest gear lights will offer that. Our naked flash has a wireless trigger.
02 Set to slave
Our second flash is set to optical slave. This means that it will fire when it detects the other flash, as long as there is a decent line of sight between the two. Directing the flash into a silver umbrella will soften the light.
03 set up a winning move
Place a flash in front to illuminate the face. We attached a silver umbrella to the front light to expand it, while the rear flash was left bare to create a hard-edged light on one side of the body. Set both to manual, with the front flash at ½ power and the rear at ¼ power. Using a colored background or hanging a colored sheet (green or blue, depending on what you’re wearing) will allow you to better shape the silhouette later.
04 Find an exhibition
Set your camera to manual. Before turning on the flashes, expose for the existing ambient light, then slightly underexpose by increasing the aperture or decreasing the ISO. Now turn on the flashes and adjust the power until you are satisfied with the light on the subject. We shot at 1/250 sec, f / 8, ISO100.
05 Photograph a background
Once you’ve captured the subject, the next step is to photograph a backdrop, sky, and whatever else you might need. Again, keep everything consistent: camera height, lens focal length, focus point, and lighting. We also captured a golf ball very close to the camera, which will add an extra element to the final shot later.
06 Select subject
Open your portrait in Photoshop, then grab the Quick Selection Tool and start painting to select the subject. Click Select and Mask (Refine Edge in older versions) and paint over blurry areas like hair to enhance the edge. Choose Output: Layer Mask and press OK.
07 Refine the mask
Zoom in closer, highlight the layer mask thumbnail in the Layers panel, then grab the Brush tool and press D to set the colors to black and white. Paint with black to hide parts of the layer or paint with white to reveal them. Spend some time perfecting the edge of the cutout.
08 Add the backdrop
Open your background image, then go back to the cutout. Use the Move tool to drag the cutout to the background; press Cmd (Mac) or Ctrl (PC) + T if you need to resize the layer. Once done, make a selection of the sky and Alt-click the Add Mask icon in the Layers panel to hide it.
09 make it rain
Open the sky image and drop it with the Move tool, then drag this layer to the bottom of the stack. Then open the rain image and drop it. Change the blend mode to Overlay, add a layer mask, and then paint black to hide the parts of the rain that look too heavy.
10 Do like Zeus
If you want to add some serious vibe, get yourself an image of love at first sight. Drag it, change the blending mode to Screen, then hide unwanted areas. Duplicate the effect around the image to build it. Now cut out and add any other items you like such as ball and mud.
11 Change tones
Finally, merge a copy of all layers with Cmd / Ctrl + Shift + Alt + E. Now apply some tonal effects to this layer using the Camera Raw filter (Filter> Camera Raw Filter). Increase lightness, increase shadows, decrease highlights, decrease saturation, and add vignette to darken corners.
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