Prestigious Photography Hall of Fame Class Includes Former Obama White House Photographer | The living

The International Photography Hall of Fame and Museum not only honors seven highly respected talented photographers, but features some of their work in an exhibition until February 11, 2022.

The Hall of Fame recognized Pete Souza, Dawoud Bey, Philip-Lorca diCorcia, Larry Burrows, David Douglas Duncan, Sally Mann and Joyce Tenneson for their creative and visionary contributions to the art of photography.

The museum also presented Joel Sartore with the first-ever IPHF Visionary Award, in addition to the Professional Photographers of America, the world’s largest non-profit trade association for professional photographers, with the Leadership Award.

“Despite the challenges we continue to face in the world as a society, we are proud to add these outstanding recipients to the Hall of Fame and celebrate their contributions to the art of photography,” said Richard Miles , Chairman of the Board of Directors of the IPHF. .

Souza, a freelance photographer and best-selling author known for his tenure as the official White House photographer during Barack Obama’s presidency, said he was upset to be part of the IPHF.

“It is the greatest honor to be inducted into this Hall of Fame,” he said. “It’s not something I ever dreamed would be possible for me.”

Initially, he said he wanted to be a sports journalist during his undergraduate years at Boston University, but his dream job changed after he finished a photography class.

He said there was something about the process of creating and developing black and white photographs that felt magical to him, and that’s when he knew photojournalism was the best career. .

After college, he went from being a press photographer to being a junior official White House photographer during Ronald Reagan’s presidency.

“I was 20 when I started this job, and it was quite overwhelming to go from a newspaper to suddenly walk into the Oval Office every day to document this presidency for history,” he said. declared. “I have been exposed to the most powerful people in our government in a very intimate way. It was a great experience for someone who was as young as me.

He is best known for his role as official White House photographer and director of the White House photo bureau during the Obama administration.

Surprisingly, he started working for him by accident. In 2004, when Obama was elected to the Senate, he documented his early years in office for the Chicago Tribune. He said it was an exclusive opportunity to work with Obama’s hometown newspaper.

He said that since he had developed a professional relationship with him and appreciated the way he behaved, Obama asked him to be his White House photographer when he was elected president.

Obama making history as the first black president of the United States was something that Souza, said to be a white man, was keenly aware of when he took photos of himself interacting with black people and people. ‘other people of color. He knew the importance of black youth seeing a positive example of someone like them in a position of power.

“On a daily basis, however, I saw him as the president, not the first black president,” he said. “He makes decisions like any other president, but it’s those interactions with other people where I was very aware that he was the first black president.”

Dawoud Bey, a black inductee who is also deaf, has been known to capture the daily lives of African Americans since 1975. His career began as a street photographer taking photos of African Americans in Harlem and Brooklyn. His reason for being behind the photos was that he wanted to make images he couldn’t see and present photos that conveyed the rich humanity of black people.

“I didn’t want to describe them through a sociological or pathological lens, as they often were, but also fully and deeply human, like people in my family or my own neighborhood in Brooklyn,” Bey said.

“For most of my career I have photographed African Americans and young people; two groups that I think don’t always get serious photographic attention, ”he said. “The fact that I really care about the people I photograph and use my work as a platform to amplify their presence allows them to trust me. This confidence leads to photographs that have a deep sense of interiority and calm.

Her current work explores the history embedded in the landscape and how that story relates to the African American part of the American narrative.

He said his creative process begins with extensive research before picking up his camera.

“So it’s not so much about ‘capturing’ something for me – which I consider a very aggressive term for what photographers do – but about being grounded and seeing the subject as deeply as possible, and to give it an interesting photographic form. ” he said.

Bey has been wearing a hearing aid since third grade and credits her with becoming a photographer for relying so heavily on her eyesight.

“It is the science that we make up for the lack of meaning by overdeveloping others,” he said. “This hearing loss also causes me to pay more attention, and this attention, and the connection that results from it, was definitely important to my early portrait-based work.”

Souza’s advice to photojournalists interested in his work is to stay authentic and true to what they are creating.

“I think that more than ever today, photojournalists or documentary photographers need to take authentic photographs,” he said. “We live in an age where technology is such that it is so easy to manipulate photographs or create a false narrative with photographs.”

Visit https://iphf.org/ for more information about the exhibit.


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